wash drawing
英 [wɒʃ ˈdrɔːɪŋ]
美 [wɑːʃ ˈdrɔːɪŋ]
淡彩画
英英释义
noun
- a watercolor made by applying a series of monochrome washes one over the other
双语例句
- In the history of Shaanxi folk art, the extensively applied modeling elements of flowers and birds of characterizing, although differ from the expression form of court paintings and that of wash drawing, share the same pattern origin with each other.
陕西民间自古以来大量运用的富于特色的花鸟造型元素，不同于宫廷美术与文人水墨画的表现样式，但他们之间也有相同的图式渊源。 - A controllable physical paper model was built to imitate the real Fibre network of Xuan, based on which the simulation process of ink diffusion functions was implemented to achieve the real effect-simulating of Chinese Ink Wash Drawing.
该方法构造了一个可控的物理纸模型以模拟宣纸，再在该模型上进行水墨扩散过程的模拟运行，以实现真实水墨画扩散效果的仿真。 - The Realization of Brush in the Simulation of Chinese Ink Wash Drawing
水墨画仿真中画笔的行为实现 - Wash drawing: A drawing made by a brush in washes with a single pigment of black or dark colour soluble in water, to be reproduced by the half-tone process.
水墨画：用毛笔沾溶于水的黑色或深暗颜色绘画有浓淡色调的单色画。复制时，需用半色调方法。 - Application of the physico-chemical process to the advanced treatment of paper-making white wastewater Simulation of Diffusion Effect Based on Physically Modeling of Paper in Chinese Ink Wash Drawing
物理化学法在造纸白水深度处理中的应用基于纸的物理建模的水墨画扩散效果仿真 - Computer simulation for ink and wash drawing is not only the spread of traditional culture, but also make great contribution to the development of non-photorealistic rendering technology.
而用计算机对水墨画的模拟绘制不仅是传播传统文化的一个新的途径，也是对非真实感绘制技术的一个发展。 - Watercolour painting is a drawing style that comes from western countries while wash painting is a kind of traditional drawing style.
水彩画和水墨画，一个是西方外来的绘画形式，一个是中国传统的绘画形式。 - Wash and figure painting is widening violent language with individual character constantly, drawing nutrition from outside culture, perfecting and developing art language of itself, and making it have more great eternal vitality, but Chinese paintings basic regular pattern pen and ink can't be lost.
水墨人物画正不断拓宽着它日趋强烈的个性化语言，汲取外来文化营养，发展完善自己的艺术语言，使之更具永恒的生命力，但中国画最基本的规律笔墨不能丢。 - The conclusion was when Chinese classical painting developed toward Tang and Song Dynasty, color that relied mainly on color approached the peak, meanwhile, it lost its major status gradually as the "ink and wash drawing" was booming.
所得出的结论是：中国古典绘画发展到唐宋时期，以色彩为主的丹青绘画在走向高峰期的同时，又因水墨画的不断兴盛而逐步丧失其在中国绘画中的主流地位。 - Some say his making landscape painting simply, less artistic conception of Chinese painting, others say that landscape painting is about ink and wash, there would be no difference between landscape painting and charcoal drawing without water.
有人说他把山水画简单化了，少了中国画的意境；也有人说，山水画讲的是水墨晕章，没有了水，画的画跟素描有什么两样。